The Lost Script for Eat, Pray, Love

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A little-known Hollywood legend tells of the chaotic making of the blockbuster hit Eat Pray, Love… how the star, Julia Roberts, insisted the script be worked from the novel during the actual shooting, to capture the essence and atmosphere of the exotic locations. Writers would gather material from Rome, or Bangalore, write dialogue, and present them to the actress and director for approval each day.

In a backstreet in Ubud, Bali, we found a rare piece of memorabilia… a first draft of the first scene from Act Three of the movie from that location. The manuscript was in bad shape- dirty, mouldy, and only a few pages survived. But indeed, it shows how the writers captured the essence of Ubud, a community well documented in the travel industry as an artistic and spiritual destination.

Here, then, presented for the first time, is a transcript of one of Hollywood’s great might-have-beens… the lost first scene of Act Three… Love in Ubud.

EAT PRAY LOVE
ACT III, SCENE i
IN UBUD

ESTABLISHING SHOT: Street in Ubud, LIZ is exiting from van.

LIZ
Ok, thanks. No, I won’t need you tomorrow. Thanks, bye.

CLOSEUP: Liz looking off down the street

LIZ VOICEOVER
I had eaten my fill in Rome; searched my soul in India. Now, here in Bali, I seek- I don’t know yet. I am here in Ubud, where I have heard a man of great wisdom lives. Perhaps he can tell me what I seek.

SHOT: Liz starts walking down the street

MAN 1
Taxi Lady?
LIZ
No Thanks
MAN 1
Maybe tomorrow?
LIZ
No, I don’t think so. Sorry.
WOMAN 1 (Female)
Massage ma’am?
LIZ
No Thanks. I’m here to find my spirit guide.
WOMAN 1
OK, take this pamphlet
MAN 2
You need transport Lady?
LIZ
No, thanks
MAN 2
Sorry. Perhaps Tomorrow?
LIZ
No, thanks.

Liz walks a few more steps.

MAN 3
Taxi?
LIZ
No, I just told that man there (points right behind her) I don’t need one. Thanks
MAN 3
Maybe Tomorrow?
LIZ
No, no.
MAN 4
Taxi Lady?
LIZ
No. Thank You.
MAN 4
Maybe Tomorrow?
LIZ
No, I don’t think so. Sorry.
MAN 5
Pretty lady. You want Taxi? Go on tour, all day perhaps?
LIZ
No, really, thanks. Please.
MAN 5
Sorry. Tomorrow?
LIZ
No, I don’t think so. Sorry.
Taxi driver holds sign that says 'maybe tomorrow?'

An extra cut from the deleted scene.

Liz stops suddenly. She looks down. Before her, the sidewalk is a gaping hole. The sewer is running just a few feet below her. CU of her face, in fear and shock.

LIZ
Jeezus.

She steps over the hole. She turns as she hears a whistle from across the street.

MAN 6 (holding up paper sign)
Taxi Lady?
LIZ
No! Dammit!
MAN 6
Maybe Tomorrow?
LIZ
No!
WOMAN 2 (handing Liz a pamphlet)
Here you go. Professional massage. You need massage?
LIZ (getting very exasperated)
No. Thank you.
MAN 6 (APPROACHES LIZ. HE IS HOLDING A KNIFE. CU OF FRIGHTENED LIZ)
LIZ
Oh my god. Please no…
MAN 7
You want knife lady? Special price for you?
LIZ (RELIEVED)
No, thank you. No.

Liz resumes walking down the street. Suddenly, she jars her back when the sidewalk drops beneath her six inches. Recovering her poise, she spies a man waving at her from across the street.

MAN 8
Please miss, please. This way.

Liz follows across the street.

MAN 8
Miss like to go on tour? All day?
LIZ
Oh god. No! What is with you people?!
MAN 8
Maybe tomorrow?

WIDE SHOT/MONTAGE Liz tries to walk down the street, is handed several more massage pamphlets and receives more offers for taxis. Finally she breaks out of the crowd. SHOT of beautiful park, greenery, walkways. Obviously a peaceful place.

LIZ
This looks nice….
WOMAN 3 (holding up basket)
Banana for monkey miss?
LIZ
Monkeys? How sweet!

Liz purchases small bunch of bananas, enters forest.

LIZ
Oh, cute monkeys. Oh. There’s a momma and baby.
Look at that big one. Yikes… he’s big.

CU LIZ Look of disgust crosses her face.

LIZ VOICEOVER
Oh. You can’t unsee that.

A monkey jumps up on Liz. She smiles and offers it a banana.

LIZ
Hey little fella. What you doing? You’re a cutie.

Another jumps on her other shoulder.

LIZ
Hey, now. Not so fast now.

She offers another banana. Then a third, then a fourth, then they all start scrambling up on her. She drops her bananas in a panic.

LIZ
No please! Oh god, no! Get them off, get them off!

Liz is seemingly overwhemed by the apes. One even begins pissing on her. Then, the animals all stop at once. They look in one direction, and all take off, suddenly.
Liz, scraped and her hair in a shambles, is momentarily stunned. Then she looks up. A man is next to her. Tall, clean-cut, handsome. His hair is framed golden in the backlit sun. He reaches out to her.

MAN 9
Are you OK?
LIZ
Yes, yes, I am. Thanks so much. You saved me.
CU LIZ has double take at man’s good looks.
MAN 9
(Laughing) Hey, no problem.
LIZ VOICEOVER
Oh my. This man is a hunk. Could this be love?
LIZ
So, are you going anywhere right now?
MAN 9
Why? You need a taxi?
Maybe tomorrow?
–END OF SCENE–
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