Musei Capitolini in Rome are lending San Francisco one of their greatest treasures, the remarkable Baroque masterpiece The Medusa by Gian Lorenzo Bernini (1598–1680), one of art history’s finest sculptors and a leading figure in Italian Baroque art and architecture.
Recent conservation efforts have restored this sculptural triumph to its full glory and revealed previously hidden artistic techniques.
Believed to date from around 1638 to 1648, this extraordinary work takes its subject from classical mythology, as cited in Ovid’s Metamorphoses. It shows the beautiful Medusa, one of the Gorgon sisters, caught in the terrible process of transformation into a monster.
The Medusa will be displayed exclusively in the U.S. at the Legion of Honor in the museum’s Baroque gallery 6, where it can be seen in context with the Museums’ great collections of paintings and sculpture from the era of Bernini.
Dates are November 17, 2011 through February 19, 2012
Paolo Pontoniere is a Neapolitan Journalist, who has been living in California for years and writes for major Italian media. Paraphrasing Charles V of Bourbon he would say that his interests curiosity never rests.
From Stones to sex, from science to conscience, from politics to pandemics, he follows with equal passion all events of which it is worth telling a story. Twists and turns of life led him to become an economic reporter, but as it happened with the Che, it was all due to a misunderstanding.
When his editors at the time asked during an editorial meeting if anybody knew anything about the economy he said yes, but he meant to say that to survive he didn’t need much. You see it was one of those artsy copy offices, full of practitioners of experimental arts; dreamers who breathed big ideas, had high minded ideals and lived on nothing else but sandwiches and cigarettes. Now things are different though. To live and work in Baghdad By the Bay one needs serious money, and he says, he too now understands the real Economy.