Tokyo Sinfonia’s Annual Mozart Birthday Concert

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Every year since the formation of the orchestra, the Tokyo Sinfonia has performed a special concert celebrating the birthday of Wolfgang Amadeus Mozart, one of the greatest music geniuses in history. Although he lived to be only 35 years old, he produced the largest number of works by any composer which are regularly performed today.

Mozart joined the Freemasons Lodge in Austria at the age of 28, and remained active in his beloved Lodge throughout the seven years remaining in his life. He was deeply moved by the concept of men of all walks of life meeting as equals on the floor of the Lodge, and the tenets of brotherly love, relief and truth which Masonry espouses. His Emperor was a Mason, members of the nobility were Masons, and so were his father, his friends, and some of the musicians he most esteemed.

The Mozart Birthday Concert will be presented from January 28, 2012 in the Golden Hall of the Tokyo Masonic Center. Their program will open with the Overture to The Magic Flute. Considered by many aficionados to be the finest comic opera ever written, The Magic Flute was Mozart’s irresistible tribute to Freemasonry.

Two young artists will be featured in Mozart’s Concertone (which means big concerto) for 2 Violins and Orchestra. Tomo Hirokawa was declared winner of the Tokyo Sinfonia Young Artist auditions held last month in Tokyo. Partnering her as soloist will be the Tokyo Sinfonia’s youngest member, violinist Nagisa Sakaki.

The Concertone was written when Mozart, 18, was serving as Concertmaster of the Archbishop of Salzburg’s orchestra. The Archbishop’s Vice-Kapellmeister was Mozart’s father, Leopold, an eminent violin teacher in his own right. This work was Mozart’s first effort at writing a concerto for an orchestra instrument, and presumably was first performed featuring father and son as the soloists.

The most popular symphony in the entire cannon of Mozart symphonies is his Symphony No. 40 in G Minor. A stunning work, it is enormously complex in compositional detail, yet it remains eminently approachable and supremely enjoyable. It encompasses an enormous depth of emotions, a striking sense of urgency, and harmonic complexities which presage the romantic era which he did not live to see. Interestingly, the work was performed, possibly in Mozart’s presence, in 1791 (the last year of his life) in Salieri’s concerts at the Burgtheatre in Vienna. These concerts were presented as benefit concerts for widows and orphans.

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