Following is a link to a 50-minute film by William Dalrymple. Introduced to it by Folk Punjab, the film is a personal journey that he undertook into the mystical and musical side of Islam as he charts traditions of Sufi music in Syria, Turkey, Pakistan, India and Morocco. Travel to these exotic destinations has been a long-held desire of mine. One day, Insha’allah…
For hundreds of millions of Sufi followers worldwide, music is at the heart of their tradition and a way of getting closer to God. From the Whirling Dervishes of Turkey to the qawwali music of Pakistan, Sufism has produced some of the world’s most spectacular music celebrated by Muslims and non-Muslims alike. Dalrymple’s film traces the shared roots of Christianity and Islam in the Middle East and discovers Sufism to be a peaceful, tolerant and pluralistic bastion against fundamentalism. It includes footage of performances by Youssou N’Dour, Rahat Fateh Ali Khan, Mercan Dede, Abida Parveen, Sain Zahoor, Galata Mevlevi Ensemble, Kudsi Erguner, Goonga and Mithu Sain, Junoon and Abdennbi Zizi.
Puneetinder Kaur Sidhu, travel enthusiast and the author of Adrift: A junket junkie in Europe is the youngest of four siblings born into an aristocratic family of Punjab. Dogged in her resistance to conform, and with parental pressure easing sufficiently over the years, she had plenty of freedom of choice. And she chose travel.
She was born in Shimla, and spent her formative years at their home, Windsor Terrace, in Kasumpti while schooling at Convent of Jesus & Mary, Chelsea. The irrepressible wanderlust in her found her changing vocations midstream and she joined Singapore International Airlines to give wing to her passion. She has travelled extensively in Asia, North America, Australia, Europe, South Africa and SE Asia; simultaneously exploring the charms within India.
When she is not travelling, she is writing about it. Over the past decade or so, she has created an impressive writing repertoire for herself: as a columnist with Hindustan Times, as a book reviewer for The Tribune and as a contributor to travel magazines in India and overseas. Her work-in-progress, the documenting of colonial heritage along the Old Hindustan-Tibet Road, is an outcome of her long-standing romance with the Himalayas.