Yosvany Terry, known around the globe for his musical innovation melds the traditional sounds of his native Cuba with avant-garde innovation and fiery post-bop, sophisticated harmonies.
Terry sits at the forefront of a group of young Cuban musicians who have recently inspired the New York cityʼs scene with a new creative energy.
He will do a lecture entitled, Arará Music from Cuba and its fusion with Jazz: The Concept of Ye-de-gbe & Afro-Caribbean Legacy which explores the Afro-Caribbean Arará musical tradition – a style brought to Cuba by slaves taken from West Africa – in a collection of compositions with African percussion.
Performance is Wednesday May 25, 2011 6 pm $12 at Museum of African Diaspora.
Oyu Oro will also be performing. She is the brainchild of Danys “La Mora” Perez ─ international Afro-Cuban folklore performer, choreographer, teacher and dance ethnologist from Santiago de Cuba. The company is committed to the preservation of Afro-Cuban folklore as well as to encouraging the cross-cultural understanding of the dance and music forms derived from African culture. While Oyu Oro’s traditional repertoire pays tribute to African lineages derived from the Yoruba, Congo, Carabali, Arará and Dahomean cultures of West Africa and Haiti, the popular dance choreographies also celebrate the national Cuban heritage.
Below, Oyu Oro performing at Dance Mission Theater May 13-15, 2011.
Photo credits: Cuba Caribe
Renee Blodgett is the founder of We Blog the World. The site combines the magic of an online culture and travel magazine with a global blog network and has contributors from every continent in the world. Having lived in 10 countries and explored nearly 80, she is an avid traveler, and a lover, observer and participant in cultural diversity.
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