Of all Barcelona’s traditional myriad excuses for a knees-up (or ankles-up, in the case of the sedate little steps of the Catalan sardana), late September’s La Mercè festival is somewhat of a legend in these parts.
Sundry fabulous beasts of yore – giants, dwarfs, fire-breathing dragons – prance and parade in their finery, not to mention castles of quivering human loins and foes of fire and water reaching operatic heights in an awe-inspiring final farewell to summer.
The 4-day event is a compelling cacophony of Catalan culture, and, amazingly given the continuing Crisis, it’s completely free.
The festival is named in honour of Barcelona’s co-patron saint, the Virgin of La Mercè, who’s said to have intervened in a particularly pesky plague of locusts in the 17th century, thus bagging the ‘patron saint’ accolade. She shares the podium with Saint Eulàlia, who, peeved at having to share the limelight, is credited with tears of rage when it inevitably rains on La Mercè’s parade every year without fail.
Except this year, when the sun shone blithely throughout, making the spectacle on the streets all the more scintillating.
The circle dance of La Sardana – that’s what it’s all about!
Having somehow managed to be out of the city for most of it last year (following a baptism of fire in year one), this time round I wasn’t going to miss the chance to honour my closet pyro. With two somewhat wary Scottish relatives in tow, we donned our best fire-protective clothing, threw our handbags in the ring, and prepared to kick up our heels.
The ‘bastoners’ belt out the beat of Barcelona
The city is the stage when it comes to La Mercè – to enjoy the festival’s best moments, you need to be out on the streets. The festival even has its own soundtrack, in the form of 50-odd open-air concerts from both local talent and established international performers.
Anyone know the collective noun for giants?!
If you’re somewhere in the centre of town, you won’t need to wait too long for a passing procession of friendly giants, while circus acts and street performers do what they do best, enthralling kids up at Montjuïc Castle and thronging the main city park, Ciutadella.
The ‘correfoc‘, or firerun, takes place on the Sunday night, and is perhaps the most hotly anticipated event of the whole festival.
Forget running with the bulls – if you come to Barcelona for La Mercè, you better be ready to sprint with Satan himself. Plus his entourage of minor demons and aforementioned mythical beasts.
Throw caution to the wind in the non-BSI regulated correfoc
I’m no La Mercè virgin, but even I underestimated the strength of the tridents’ sparks. I emerged apparently unsinged from dancing with the devils under the umbrella of embers, but on the metro ride home, relative number 2 revealed she’d been burned right through three layers of clothing – as well as branded on her forearm.
Nessie gets really mad
With full potential to be cringingly kitsch, but in actual fact touchingly impressive, Tuesday evening’s ‘Pyromusical’ saw the grounds surrounding the Magic Fountain packed to the gunnels.
The crowd of thousands in front of Montjuïc was remarkably well behaved as they craned their necks to catch sight of the first flare to light up the Barcelona night sky. The spectacle that followed was worth the wait – fireworks and fountain jets synching and sinking in time to the music, in a sublimely choreographed and jaw-dropping display.
All in all, a festival to take your breath away. See you there next year?
GuiriGirlinBarca is written by native Scot Julie Sheridan, who left Edinburgh’s haar-stricken hills for the slightly sunnier shores of Barcelona in April 2011. Armed with a big red emigrating suitcase (called La Roja) she arrived in the Catalan capital without knowing a soul, or indeed any Catalan. Her blog is an honest account of the ups and downs of life abroad as a single woman, including now not to get stalked by men and how to avoid unfortunate incidents with hamsters on bank holidays.